How to Get Top-Quality Shots With a DSLR

Whether you are a professional DSLR user or a novice, shooting film with DSLR camera is fun. Everybody wants to shoot top-quality videos, but the question that strikes the doors of our minds is "How"?. In this post, we'll talk about the tips that will help you get top-quality shots.  

1. Consider ISO

One of the important things you need to consider is ISO. It helps determine how sensitive a camera is to the light. As a rule of thumb, the higher the  ISO, the brighter your image will be. If you are shooting without having adequate light, consider using a higher ISO.  However, if you are shooting in daylight, then keep your ISO number low. The best thing is that you can raise and lower the ISO as per your needs.  

2. Don't Forget Aperture

Another thing to consider is Aperture. It helps to handle the light reaching the image sensor. Always keep this in mind, the smaller the number is, the more open the aperture will be. Talking about a scenario, if you are shooting outside, then you need to close the aperture to a large number.  

3. The speed of the Shutter

The shutter speed helps to evaluate the time the camera sensor is exposed to light. Keep this in mind, the longer the shutter is open, the more light will hit the sensor. With a faster shutter speed, you can freeze motion, resulting in producing a crisper image. Hence, it's important for you to find the aperture you want to choose, and then adjust your ISO as per your needs.  

4. Color  Temperature and White Balance

To get top-quality shoot, try matching the white balance preset to the light color you are shooting with. For instance, if you are shooting in daylight, then go for the sun icon. On the contrary, if you are shooting under fluorescent lights, use the bulb icon.  

5. Consider Different Lenses

It is important for you to consider two different lenses. Having a fixed lens will allow you to produce a better picture, which means you will get sharper images, good focusing speed, and most importantly, you will be more artistic. 
Coming to the zoom lens, it is quite suitable for on-the-fly shooting. It will help you get a multitude of perspectives from a single location.  

6. Choose Frame Sizes and Rate

With a DSLR, you will have an extensive range of frame rates and sizes. However, having 1920*1080 is considered as an ideal option. This will allow you to capture top-quality shots and they will look great when displayed on a large monitor.

Important Things to Know About Gimbal for DSLR

In the current scenario of filmmaking, gimbals have become one of the hottest tools that cater to all your shooting needs perfectly. There is no arguing with the fact that everybody wants to get their hands on it as it helps DSLR owners to capture aesthetic images.  

Gimbal Upgrade Kit

In this post, we'll talk about some important things you should know about gimbal for DSLR.  

1. Good for Free Motion

Being lightweight and compact in design, gimbals allow operators to take their camera anywhere virtually or through anything. And the best part is, they will still get a good and smooth shot.  

2. Range of Motions

It has been observed that setting up a shot takes time and especially when each requires different camera different movement tools. And this is where gimbals come in. They allow the user to get similar shots in less time. Gimbals are good for those who don't have much space and time set up all extra gears.  

3. Gimbals aren't Replacements

Some people have a misconception that gimbals can do everything. There are some other sliders, dollies, and jibs that are still used in the cinematic industry. Make sure you don't be quick selling all your gears once you've got that smart gimbal.  

4. You become a  Story Teller 

Once you got a new gimbal, you may use it to capture all your amazing shots that you always wanted to do. Because you are shooting with a gimbal, your shots will tell a story and they will get motivated with the time.  

5. Invert your Gimbal

Because of the way gimbals are designed, it is important for you to know the correct method of using it. The natural position to hold a gimbal is near the waist or you can hold it near the chest too but with the gimbal situated below the handles. If you are not inverting the position of your gimbal, then you are not really choosy about your shots.  

6. Consider Balancing

Improper balancing your gimbal can lead to consequences. According to experts, there are some camera operators that can use a gimbal without knowing that it can overwork its motor, which results in battery drainage.  

7. Time and Energy Saver

Nothing could be as easy as shooting with the gimbal. Hence, it's important for you to rest up and don't you carry it if you don't even want to.

Things You Should Know About Wireless Follow Focus System

In this professional world of photography, it is important for you to have to have a system that can work wonders for you. Having a camera is quite good, but make sure you have something extra that can help you at every turn. And, this is where wireless follow focus system comes into play. Talking about the meaning, it can be defined as the set of parts that work together and allow you focus in an accurate manner while you are doing videography.  

Important Parts of Wireless Follow Focus System  

Following are the parts of a wireless follow focus system.  

1. Rail Clamp: It is the first part which is connected to the two rods that help a lot in forming the base of any camera. That's the reason, you have to have a base and most importantly, rods for the system configuration. Coming to the most cost-effective options, they come only in one standard, i.e. 15mm/60mm spacing.  

2. Arm: It is attached to the rod clamp. Hence, make sure you aim for the best arm that will help you work with a multitude of systems and lenses. You could get an arm that can help you push the system inside or outside.  

3. Gear: It helps to connect to the focus knob. There is no denying the fact that it is one of the most important parts of a wireless follow focus system. There are chances that you might want a larger throw which means you want a larger turn of the focus ring on the lens for a smaller focus knob turn. 

4. Focus Knob: It is more like a focus ring that helps you to turn the focus. However, you can do that by turning the focus ring on a lens by putting your arm on the camera. 

Why You Should Use a Wireless Follow Focus System  

Reasons to Consider a wireless follow focus system.  

1. The depth of Field: One of the biggest advantages of a wireless FF system is that it helps you get a shallower depth of field. Those days are gone when people used to do shooting with a 5.6. As far as a wireless FF system, you can use your 2.0 and 2.8 with gimbal work.  

2. Wider Focal Length: There is no arguing with the fact that the wider focal lengths offer comfortable focus work. When you introduce wireless focusing systems into your workflow, you can finally begin to reintroduce 50mm and even 85mm lenses back into your gimbal work. This would ultimately help you improve the production value of your work. 

3. A range of FF Systems: Getting into wireless follow focus systems can be cumbersome at times. But, now you will get top wireless FF systems online that can caters to all your shooting needs perfectly.

How to Become a Good Follow Focus Puller

Are you facing difficulties using follow focus? Well, you're not alone. There are lots of people facing troubles as the act is easy but the mental pressure is quite huge. if you're a novice or an experienced, becoming a skilled expert requires much labor.

There is no denying the fact that a follow focus system is important because DSLR cameras don't have auto-focus capabilities. Now, the question arises, why do you need a follow focus system. Here's the complete guide.  

Why Do you Need a Follow Focus for your DSLR   

In simpler terms, the aspects of focus are quite complex and delicate. While filming, using your hands to make adjustments can be a perilous task to do and it can even lead to decrease the video production value of your video. And the reason behind is that because these cameras are lightweight and they wouldn't manage your subtle movements. This would ultimately result in the jumpy footage. 

These complications may be avoided when you are filming for a little audience as they are more of forgiving such technical errors. Talking about the scenario, if you are making videos of longer length, commercials or any other films, it is important for you to use a  follow focus DSLR to make sure that each shot should be crisp as possible. Attaining a follow focus puller helps you to achieve the best possible results you've always wished for.  

Steps to Become a Good Follow Focus Puller  

Following are the steps you can follow to become a good follow focus puller.  

1. Predict Distances

 

One of the easiest ways to become a better focus puller is to become accurate at guessing distances. Or in other words, you can say that you should become a human measuring tape. Make sure you start doing it by going into a room with a measuring device and sit in the corner. Take an object and note down the best guess for its distance and then write an estimation from where you were sitting. 
Once you've become good at this, you can choose an object and move on with the process of guessing and checking with an in-depth calculator. 

2. Start Paying Attention to the Public 

Make sure you go out to a public place like a park, a mall, and start paying attention to how people act around certain spaces. In addition, it is important for You to visit a variety of atmospheres where people will act differently. Talking about the settings, there are a plethora of settings like restaurants.  

3. Pretend the Motions 

To do this, just sit in a room and act like you are holding a follow focus DSLR. After that, look at the doorway and assume a character is walking in and sitting down in the room. Make sure you adjust follow focus if necessary. Furthermore, it emphasizes the motion of focus pulling and will get your mind to the direction in which you must pull to go a certain way.

Why You Should Consider Follow Focus Puller

If you are a professional cameraman or a filmmaker, then it's important to consider purchasing a 'follow focus system' for your DSLR. Needless to say, a follow focus system is important and that the reason behind is DSLR cameras aren't capable enough. And this is where the question arises.....Why do you need a follow focus system? 

The need for a Follow Focus Puller  

There is no denying the fact that mathematics of focus is quite complex. Using your hands to make adjustments will definitely degrade the value of your video quality. These things are alright if you are shooting a documentary film because there are limited people and can forgive such minimal technical errors.  

Talking about the feature-length films, you need to measure out each scene and a good-quality follow focus help ensure that each shot should be of top quality.

Nothing ruins a video much more than a soft focus and that's the reason follow focus system is there to help you achieve the best results.  

What is the role of a Follow Focus   

With respect to exceptions, almost all follow focuses nearly on a huge number of gears, which are manipulated by a circular knob.  

All the professional camera lenses are outfitted with a gear on the focus barrel that helps to match the pitch size of the gear. If you are working with lenses that are still, then you should use gears that can attach to your lenses and guess what, they can do the same thing.  

When you line up the gears on the follow focus, you just have to turn the knob on the follow focus. The main advantage of using a follow focus has to do with accuracy and that's what we all want. The series of gears helps to give you more fine control over focus, which would ultimately help to decrease your likelihood of completely missing your focus pulls.  

Tips for Follow Focusing  

Once you've set up a follow focus, now all you need is to start to follow focusing. And at the same time, you should follow tips as well.  

1.Creates Marks:
If you clearly see, there is an outer circle of white plastic around the knob itself which is usually for setting focus marks, which is a general practice on narrative sets. Make sure you get your hands on some dry-erase markers because now you have to create marks. If you’re working on a project where rehearsals are possible, you can even dry-erase markers in order to set focus marks for a given shot. 

2.Practice:
No matter how you’re interacting with your follow focus, always bear in mind you should try to practice your pull a few times. In addition, get your hand and wrist used to where close-focus and infinity are. Pulling focus is a skill and the more practice you do, the more successful you’re going to be. 

3.Don't Fidget:
If you watch movies carefully, you’d be surprised how many times you see a shot that’s either slightly, or sometimes get out of focus. However, it doesn't mean that you should not follow the action, but if you are regularly fidgeting the action, you will end up looking like an amateur.

How to Maintain a Focus on Moving Subject While Filming It Alone?

Keeping your focus on the moving subject and making adjustments with the lens to capture the subject with the best attributes is one of the most challenging tasks. And it can even worse situation if you are short on staff and shooting the film along with the moving subject. To make your task bit easier, this blog has shared few tips on how to maintain your focus on moving subject.

With the great advent of technology and innovation, many cameras come with autofocus in-build feature. This advanced feature can make your life easier and help you shoot the film like a pro if you know how to maintain your focus on the moving object. Until or unless you don’t know how to use this smart feature, you can’t reap the benefit.

Shifting your focus from the nearby object to faraway object within the same shot can be a daunting task for you, but with the smart follow focus techniques and setting up a system, you can easily shoot what you actually want to present to your audience. Shoot your video like a pro, a good composition, perfect lighting and colour are some of the essential things to get a clear and crisp image.

So if you're a beginner, here's how you can maintain the focus on the moving object:


1. Set the Focus
The most common technique to use follow focus is to use your hands smartly. Put your one hand on the camera and another on the focus ring to make instant adjustment throughout the shot. This is the most useful technique but sometimes beginners don't get the results due to lack of knowledge that when and how to keep their camera steady and pulling focus. With the little bit of practice and patience, this technique can give you the decent results.


2. Maintain the Distance
Another technique to keep your shot in focus while filming a moving object is to maintain a good distance between the camera and the subject throughout the shoot. Before you begin the shoot, determine the length and set the distance between the camera and subject to adjust the focus accordingly. You can ask your subject that while moving around the camera, they should maintain a certain distance to get the best shooting results.


3. Shoot At a Higher Aperture
If you're constantly shooting the moving objects then it is worth investing in the camera that comes with the inbuilt autofocus system. Not only these cameras can provide you better results but also allow you to target a subject and have the camera followed them around as they have superb motion tracking feature as well. If you can't afford to invest in these high-end cameras, then go for the best technique to use higher aperture get the object clicked in the best posture.

When it comes to shooting the film like a pro, everyone can’t afford to buy such a high-end camera, so in that case, you can use these tips to use follow focus in the best way.

Why Do You Need a Follow Focus Puller on a Film Set?

In this article, we’ll shed some light on the importance of a follow focus puller on a film set.

The First Assistant Camera, also known as focus puller, 1st AC, Assistant Camera , or B Camera, is an integral part of the camera department. During a film shoot, these exceptionally talented people shoulder their responsibility to keep the camera in focus. 

I’m fond of my camera assistant…I really am! This is what you’ll hear from the Director of Photography (DOP) - someone who overlooks the camera department, lighting department, electrical, and grips. These people are deemed to be the chief of the camera crew.

Do you really need a follow focus puller during a film shoot?

Well, you don’t seem to be the only one who expresses his great concern about exploiting the finest skills possessed by the 1st AC. I’m fully aware of the fact that being a professional follow focus puller can be the toughest job on the crew. This job is the one that comes literally loaded with endless responsibilities than you could possibly think. There’s a lot of stuff these people do on a film set. In short, I’d consider an experienced focus puller to be the backbone of the camera crew.

Being one of the challenging jobs on the crew (even though I consider it to be the only hardest job), the Camera Assistant has the responsibility of taking care of not only human bit mechanical counterparts as well. If you ask me, these personnel need to be not just one, but innumerable steps ahead of the game. Not only should they have the capability to predict the diverse needs of the camera crew, they should be able to offer necessary solutions whenever asked upon.

A focus puller should always “Come Prepared”.

If you were to define the job of the 1st AC, you’d probably fall short of words. These highly trained technicians extend necessary support to camera operators when it comes to setting up gear. Wait….there’s more coming your way! They even keep the sensitive equipment in the best shape.

What are duties of a follow focus puller?

The follow focus puller has to make sure that the picture remains sharp, because doing so is their prime responsibility. They work in close accordance with the camera operator (who’s under the direction of the DOP) for measuring the distance between the lens and the actual subject. They work their way out when it comes to maintaining proper focal distance during movements of the camera.

The first AC has to collaborate with the camera operator and the dolly grip for tracking shots and crane movements to make sure the focus is consistent. This would definitely need a focus puller to have a keen eye and a sound judgment of distance.

Focus pullers are accountable for both focusing and refocusing the camera lens as subjects move within the frame of each shot. Well, they avoid looking through the lens to perform this activity but consider pulling focus according to intricate marks which are placed on the set, floor and other vital things when a rehearsal is in progress.

Their job does not end with what’s all mentioned above. They take care of camera equipment, including lenses, filters and matt boxes. They assemble the camera as well as its accessories for capturing contrasting shots.

Do you know camera assistant make it to the set or in the studio before it’s time for the Director, Director of Photography and Camera Operator to arrive on a film set? When these people reach they make sure that the camera and all lenses are prepared for the shoot to be held during the day

What if the Director or DP wants to give a try to a specific lens? The follow focus puller will assemble the camera so that it becomes easy for them to look through the eyepiece to evaluate the given shot.

When the shooting day comes to an end, the Camera Assistant will not only clean the equipment but have the same packed up for the next day. In case there’s a problem with the rushes (a scratch on a film), they will initiate talking terms with the film lab so that any faults can be taken care of with the camera.

The First Assistant Camera is tasked with judging the distance between the camera and a subject. They even manipulate the lens physically on the camera so that they can keep the required subject in focus. Even though it may sound easy, doing so is one of the difficult jobs on a film set. The job is full of pressure. Need we say more?

The Director of Photography (DOP) or the Camera Operator usually asks for the follow focus puller. Their work hours are long and their work can be physically challenging as they have to deal with a plethora of things on a film set.

Experienced and talented focus pullers have an endless number of tricks for pulling focus in hard situations or when precise measurement seems next to impossible. 

What skills are necessary for the camera assistant?

The camera assistant or the follow focus puller you’re likely to hire for the said job must be trained in the proper setup and camera equipment. Not only that, they should have a sound knowledge of film handling and diverse photography techniques. It’s important for a good camera assistant to comprehend concepts of color, light, and exposure as well. 

The International Associate of Theatrical Stage Employees or IATSE in short provides training programs on a selective basis. Classes or experience in still photography can be useful.

It’s important for a professional focus puller to:

Have outstanding knowledge of cameras, lenses and other necessary equipment

Have excellent eyesight

Pay accurate attention to detail

Have quickness as well as speed

Keep abreast of latest techniques and equipment

Meticulously measure distances

Be able to work together

Be tactful and responsive when working with camera crew and other artists

Have the right knowledge of photo-chemical and digital film processing

Know about health and safety legislation and policies

What are the top 10 must have tools for every focus puller?

Well, there are some tools that are very crucial and used almost 100% of the time on a film set. A camera assistant will have a hard time to complete his work without the use of these efficient tools.

Screwdrivers

Wrench

Scissors

Pliers

Flashlight

Camera Tape

Lens Tissue

Lens Cleaning Fluid

Dry Erase Marker

Measuring Tape (Soft, Hard, or Laser)

Pen

Pencil

Grease Pencil or Marking Pen

Hex Keys/Allen Wrenches

Velcro

Compressed Air or Blower

Sharpies

It’s very important for a follow focus puller to get his own toolkit. This is because you’ll find it hard to get started as a 1st AC. You’re expected to have the right gear so that you can get the most out of it on a film set. This may seem expansive in the beginning but it’s good to have your own gear instead of borrowing someone else’s. Don’t you forget having your own toolkit will leave a positive impression on your superiors?

Besides, a camera assistant has to learn as much as he can not only about camera gear but lighting as well. 1st ACs have to know their stuff and be aware of the up-to-the-minute gear available on the market. They should even know technical updates as well (if any). A professional focus puller would never want to lose the confidence of camera departments in him.

Final Thoughts

A follow focus puller is not only in charge of the maintenance but take good care of each camera. The Camera Assistant, during pre-production, will visit rental houses just for the sake of testing the necessary gear and ensuring everything is right on schedule. Being a first assistant camera is not a job that can be achieved in the blink of an eye. 

Get the Best Out Of DSLR Manual Focusing

For a nascent photographer, its become impossible to taste the full potential of hi-tech DSLR camera. They have to play around with its different setting to get a basic idea of generating optimum images. Furthermore, when they switch to manual focusing, their objective of snapping crisp images get shattered.

The autofocus is standard setting developed and encoded by the company to cater various focusing conditions. The autofocus offers an advantage of eliminating the need the tedious manual focusing. You target the subject and it automatically focuses on it give you clear image without any hectic interference in the camera setting.

Then why do you need manual focus?

The reasons are many and a first and the foremost factor which provoked the need of manual focus is “macro” shots. While executing macro shots, the depth of field DOF become so shallow most of the time. Its leads to focus peaking condition in which camera was not able to focus on one object. The focus point becomes distracted and photographers end up with getting sub-par image output. The autofocus works like a hell in this situation most of the time.

Another condition is focusing on a subject in a crowd of similar objects. The modern day DSLRs are equipped cutting-edge lenses but the algorithm part is somewhat not well synchronized enough to snaps that intelligent shot. Most of the time camera find it hard to identify the target subjects like blades of grass.

In case of landscape shooting, the autofocus lead to generates a blurry image with focus render on the wrong object. To get the crisp output you have to deal manual setting in which you to alter the key factor like aperture, ISO, white balance, and manual focus peaking to get the perfect shots.

In the low light scenario, autofocus is not able to deliver the good images. However, in this case, camera aperture can play the huge role. Higher the aperture, brighter the shots. Meanwhile, in the low aperture situation, switch to manual mode, crank up the ISO little bit, focus until object becomes sharp and click the photo. Done!

Moreover, if you want a subtle focus transition during the filmmaking than you can opt the wireless follow focus system as an optional accessory. This product has raised the bar of traditional filmmaking practices. This product offers a diverse range of focus transition with is belt drive and gear assembly units. All this hardware is assisted by the wireless trigger which used the control the focus speed. Moreover, you can also alter transition speed with respect to the pressure sensitive wireless trigger.

Steps to get subtle manual focus

1.On the lens side, switch from auto mode to manual mode.
2.Precisely turn the focus ring until the target subject sharpens.
3.For the close-up shot, zoom towards the object and switch the camera to viewfinder mode.
4.Focuses until the subject become absolutely sharp
5.Tap the click button

Follow Focus: A Great Technique When Using a Camcorder

While there are several different techniques that play an essential role when using a camcorder, follow focus is undoubtedly one of the most crucial. Even though it seems to be an interesting technique, you’d additional equipment when it comes to using follow focus.

So, what is a follow focus?

A follow focus is a set of parts that work together for helping one focus more accurately and conveniently for video work. In other words, it’s a focus control mechanism which is used in making films using a camera specifically designed for films.

Here are five important tips you must consider when using a camcorder:

1. Choosing the Right Follow Focus Kit - Want to implement follow focus techniques? Then you’ll have to consider investing in an extra kit. These kits are the ones that fit onto your camcorder. Not only that, they let you make an adjustment to the focus without having to touch the lens.

Using consumer level camcorders? Then it becomes crucial for you to make use of a model with a 35mm lens adapter. This kit even focuses the lens accurately for you. Can it get any better than this?

As there are a number of kits available at your disposal, you must choose the one which is in sync with your video camera. Make sure you choose a smooth kit. It should be able to move plainly and without any resistance.

The best thing about these kits is that make it easy for your to focus the camera without actually touching it.

2. Setting Up the Camera - The next step is to set up your camera. It’s important for you keep it as stable as possible, if you want to shoot a superior quality video. Using a tripod for achieving a quality video will be the most feasible decision you’ll make.

Has the camera been set up? Now you can begin reading the instructions that will guide you step by step how to use the kit.

3. Setting Up the Follow Focus - Any idea when you need to fit the follow focus kit? It’s obvious to state that the method of performing this activity will depend on the type and model of camera you choose. And there are converter rings which can be screwed onto the camcorder. 

Make sure lenses are kept away from the lenses. To do so, it’ll be good if you use a can of compressed air. By doing so, you’ll be able to blow out dust. Dust can easily get accumulated over time which can cause harm to your video quality.

4. Read the Instructions - All follow focus kits work in somewhat different way. So it’s important for you to read the instructions. By doing so, you’ll come to know how to use the device in the right way.

5. Focusing the Camera - When everything’s done, it’s now time to focus the video camera with the help of a large knob placed on the side of the camera. You won’t even have to touch the camera which could result in shaky videos.

No doubt follow focus is an interesting technique, this device is a mechanical system connecting onto the lens and can even control the same. There are a number of devices that seem appropriate for most camcorders such as mini DV and other cameras (consumer level).

However, these devices (follow focus) offer an adapter. They can be used for more extensive control over the focus of your DSLR without having to touch it. While these devices are not important, they make a lot easier for recording certain videos without knocking the camera when focusing.

5 Reasons Why Turning Off your Autofocus is the Right Thing to Do

When I began using a camera autofocus was something that seemed beyond science fiction. In the sense, it would never work in real life. Besides anything and everything else, how would it know what you really wanted to focus on?

Now in this day age and age fiction has come fact and quite well that every camera has AF as standard. It just works and works extremely well. If you’re living with a perception that it will always work in a perfect way, you are mistaken. This is because it can pick up the unwanted thing which may not work in its favor. It may even fail to find what it should actually be focusing on, which can cause the lens to hunt back and forth. At times it won’t even let you throw the shutter.

Let’s examine five situations that will let you know when turning off your autofocus is really worth: 

1. When there is not sufficient light

Contrast is low when there is low light, and AF extensively counts on light as well as contrast to hook onto things. Your camera may have an AF assist lamp built in. Even if you leave it switched on, it will not work in certain situations.

2. When there is not sufficient contrast

In case your AF metering spot is on something like a plain colored wall it will become tough for the camera to focus, even if the light is bright. You can go on re-framing your shot in a temporary way so the spot falls on something with detail. 

Just have the shutter pressed half down for the AF activation followed by keeping the shutter button half-pressed to lock the focus. Time to go back to your actual composition.

3. Shooting wildlife

No doubt most wild animals have a great hearing power. No matter how excellent your autofocus is, it is bound to make a noise. So, you must switch the autofocus off to capture those amazing wildlife shots.

4. Landscapes

When it comes to shooting landscapes you generally want those things in focus from the beginning to distant mountains. This indicates that closing the aperture down to enhance the depth field and focusing a third way into the scene. Have the AF switched off. Leaving it on will refocus when the shutter is pressed.

5. Shooting through glass

Many people prefer taking a photograph through glass which does not seem to be a good idea. It’s best to avoid as much as you can. But at times it is inevitable, for instance, if you’re in a plane, or taking a photo of fish in an aquarium. AF may leave marks on the glass, so it’s better to switch it off.

5 Reasons Why you Want to Hire a Professional Focus Puller?

Do you really think every project will need a 1st AC? If you were to ask me, I’d beg to differ with the question because in reality, documentaries and corporate events often survive without having to allow a dedicated focus puller do their job.

However, there are certain situations in which hiring a focus puller or 1st Assistant Camera won’t be fruitful, unless you really one to execute something vital in nature. You can just give a go ahead with a skeleton crew. Well, there would be times when you may entrust the required obligations of a focus puller to some in the production department or even an intern.

Allow me to share five reasons when you’ll feel the need to have an experienced focus puller during a shoot.

1.Have a Tough Schedule

Time to get real! When don’t you have a tough schedule?

You’d agree that a tough schedule has always played a crucial role in filmmaking so it can make your film seem beyond its allocated budget. So, don’t you think it means pushing pennies to the limit? Certainly!

When you have a tough schedule to tackle, it demands more from the cast and crew to devote their time and effort in an effective way. Of course, all this is required while maintaining professionalism and preventing the standards from downsizing. This is exactly where the role of an experienced and skilled focus puller comes in. As an expert in this area, they move heaven and earth to be first ready to face the situation without you having to notice.

A pro will be aware of nitty gritty pertaining to the job they’re hired for and will make complicated troubleshooting chores vanish without a trace. Moreover, the camera gets back to its functioning before you even know it. 

2. Hiring a Professional Camera

Hiring the latest camera? Being the most professional camera you’ve had your eyes on, you may keep off and on when it comes to getting the camera in action. And this is where a multi-talented focus puller will step in and display their finest skills you lack.

A focus puller will have undergone the right training and well-informed about new camera systems quickly and with ease. Other than having developed an ability to pick up desired controls on the fly, they’re aware of what’s imperative to learn, including sensor settings as well as exposure control.

You cannot deny that an experienced First Assistant Camera will be on top of professional camera systems compared to anyone else on the film set. And this is too important when it comes to dealing with equipment that cost an arm and a leg.

3.Working with Film

Speaking of advanced cameras makes it sound pretty obvious that you’ll want to hire a pro focus puller, if you’re working with film.

Needless to say you don’t want to waste a great deal of money when you’re working with film, but you surely can in one situation. Which one is it? It’s when there’s any drawback of film over digital, and that’s when you lose a lot of money.

Don’t you forget pulling focus is a tricky game that can leave you flustered? Even loading magazines can be detrimental for some stock and not to mention, the working parts of a professional used for filmmaking depend consistently on regular maintenance and care.

Unless you have impressive experience under your belt working with film on your own, don’t trust anyone around. Get along with someone who’s worked with several various film cameras and knows the big picture.

4.Film is Packed with Camera Movement

In pre-production you have great talks at length with the director in respect to excellent and camera movements extensive camera movements. Not only do they express their level of excitement, they’re eager about wanting to do everything so they can hit the bulls’ eye.

The director of photography (DP) admires the idea, but starts bringing up cranes, dollys, jibs, and other relevant camera movement systems that seem pretty much as complicated to maneuver as the shots they intend to shoot.

Planning on great amounts of camera movement? If that’s what you intend to carry out, hiring a pro AC will be the right thing to do. 

A professional focus puller will be aware of the right way to build a camera which is to be fixed on rigs. Is that it? Not at all! They’ll ensure that it’s attached firmly and securely. Moreover, they’ll be qualified enough to pull focus on the thing.

5.Shots in Focus

Last but certainly not least, hiring a professional 1st AC when you want your shots in focus is of paramount importance. As a prime duty as well as responsibility, focus pullers - also called 1st Assistant Camera - are the extremely trained at pulling focus between subjects in a scene.

Even though it may seem like a job that can be achieved in the blink of an eye (because it really is), it does not mean that anyone can get on the follow focus and crank out a 30 foot dolly.

I’m really bewildered by the fact that the amount of productions that are reluctant to hire and pay for a pro AC when a majority of their footage can end up ineffective simply because it seemed out of focus.

If you want to become an expert at pulling focus, you should actually do it. And this is the experience which you can get when you hire a talented follow focus puller. These are the people who’re aware of tricks of pulling focus, the common mistakes one makes when pulling focus and much more.

Final Thoughts

A focus puller, also known as the First Assistant Camera or 1st AC, plays a very important role on a film set. They’re responsible for keeping the camera in focus. However, there are certain situations when hiring a professional focus puller is necessary.

Top 6 Accessories for Shooting High Quality DSLR Video

With rapid advancements made in technology, DSLR video is getting better and better with every passing day. That allows photographers to grab the opportunity to become part-time videographers.

Want to produce clear, stable videos?

Here is a list of 6 must have DSLR video accessories that are not only portable but also contribute to the quality of the video:

1.Lenses

What’s the main accessory you need to buy for your DSLR or mirrorless camera? It’s the lens. Of course, you want the best glass to be able to get the best quality video out of your DSLR. Taking a photo in natural light can give you some amazing results, especially when there isn’t much light.

There are several standard “kit” zoom lenses that come packaged with the DSLR camera, so you need to look for an alternative that can serve you better. The lens is one of the most important accessories for DSLRs that create the image.

2.Tripod

A tripod is the most important accessory for recording high-quality videos. The purpose of this device is to hold the camera still for preventing shakes that can easily spoil a video. You must look for a tripod which is not only light and stable but portable as well. Its weight should allow you to transport it from one spot to another.

Even if you don’t intend to record plenty of motion shots, you should go for a tripod with a panning head for extra flexibility. This video accessory for DSLR is vital when it comes to taking photos in low light. It helps even when tack-sharp focus is wanted. 

Well, there are several configurations you can try, but keep in mind that carbon fiber tripods are very sturdy and lightweight as well.

3.Dust Blower

One of the must have DSLR video accessories is dust blower. It’s a known fact that dust is attracted to lenses as well as filters like a magnet. Even it attracts to the sensor of your camera. Thus, having a dust removal device will help you take quality photos.

4.Microphone

Even though a DSLR has the ability to record stunning videos, its built-in microphone seems suitable for amateur recordings. To be able to obtain clear audio, you ought to use a third-party microphone or an audio recorder.

A shotgun microphone is the one that attaches to the camera and records audio directly into it. The lavalier microphone, on the other hand, which is sometimes called a lapel microphone, attaches directly to the person’s clothing. Well, it’s ideal for interviews, but may not seem the right choice for every user. You can also go for a standalone audio recorder. 

You can have this device placed anywhere close to where the action is, and shoot your video from wherever you like. But don’t you forget to sync the audio recording with the video later on?

5.Neutral Density Filter

A neutral density filter, or ND filter, is a vital accessory that helps one produce fluid motion shots. Shutter speed can be a tricky and complex thing when it comes to shooting motion. It allows users to use slow shutter speed when recording under conditions with bright light. 

When shutter speed gets too fast, the footage looks shaky as well as unnatural. This is where the role of a neutral density filter comes in. It helps keep the speed in check.

6.Screen Loupe

The screen on a DSLR camera is pretty small. It doesn’t always display the details that videographers are looking for when it comes to shooting videos. Using a screen loupe (one of the most important DSLR video accessories) will allow photographers to enlarge the image on their DSLR camera for a great look at what they’re recording.

Glare can cause you big problems if you’re shooting in the sunlight. A loop will deal with that for you so you can shoot videos without hassles.

3 Useful Tips to Seize the Timing of Your Next Rack Focus

Asked to carry out a rack focus? Well, the pressure could not be higher. Although it’s important for you to lead the way when it comes to focus, you need to ensure you seize it. Adding to it, you also want to carry out the rack focus considering the right style and accurate speed.

What is Rack Focus or Pulling Focus Technique?

Rack focus or focus pull is one of the great techniques employed often by cinematographers in Hollywood. This is the technique where a subject in a scene (foreground or background) remains in focus. Then the focus progressively changes to another subject in a scene. This technique lets the cinematographer lay a strong and theatrical emphasis on one subject followed by changing the emphasis to another. It’s often considered for those scenes where there’s a dramatic dialog exchange between characters.

Well, I got up close and personal with an expert who explained what rack focusing was all about.

What do you usually hear when people talk about pulling focus? They mention that it’s both an art and a science. When we talk about the art part, it’s the “touch” one puts into pulling focus. Also, it’s got to do with how fast you do it, and how long it lasts.

The science part, on the other hand, is about measuring distances, calculating them on the fly, and being very accurate when it comes to measurements. And that plays a very significant role in terms of rack focusing.

Simply put, rack focus is when there are two subjects in a frame and the focal plane’s shift from one to the other when a shot is in process. When you do that, you’re shifting the focus of the audience as well between the two subjects. It goes without saying that rack focus is a very powerful tool. If truth be told, it happens to be one of the most effective tools that every filmmaker just cannot do without. Speed is a very crucial part of performing a rack focus in the right way.

When it comes to determining the speed of a rack focus, there are three important things to consider, including:

1.Action in a scene,
2.Camera Movement, and
3.Tone of the Scene.

Let’s examine all these scenes one by one for better understanding of rack focus.

Action in a Scene

So the first essential thing to take into account is how action affects the speed of a rack focus.

Do you remember it was about a tennis player going into a baseball batting cage in order to better shots for Andy Roddick’s serve at the Australian Open? I specifically talked about how the tennis player goes into the batting cage and the door shots. And then I had to rack focus from the face of the actor to the door of the cage.

When I took my first few takes, I liteally goofed up. I almost found myself in a state of shock knowing I did not hit my marks. The job was not accomplished then I was so looking forward to. The director, in spite of knowing we were running out of schedule, got ready to move on, and I intervened there and then.

I said, “Josh give me one more take and I assure you there shall be no disappointments.”

I owed a big one to him for having granted me one more take which I did it without fail.

One important thing to take notice of is how the rack focus almost seems invisible. Why is it invisible? Simply because it’s covered by the action. The actor steps in his face is in focus. This is because motion haze you otherwise won’t be able to take notice of that it is out of focus. And by the time it shuts, it is in focus and there you go.

Camera Movement

Now the second most important thing that influences the speed of rack focus is the camera movement.

This shot has gained immense popularity. And it can have either a dolly or steadicam or jib or a crane or some type of camera movement device move a shot along. On spur of moment, something new gets exposed into the frame.

Now there’s a mailbox. You can easily read the name on it. As the dolly is on the move it’s disclosed that there is a man who is walking up to the front door. And that’s how we develop a connection between the man, and supposedly, what’s his name or the mailbox. And if this is not the man we’re looking at, then we’ll find out who “J. Fox” is.

And that’s how the speed of this type of rack focus is determined by the reveal.

Tone of the Scene

Now here comes the final thing - the tone which is going to affect your rack focus. It could be the tone of the story, the tone of the scene, or even of a shot in particular.

Does the scene seem tense? Maybe a quick rack focus is excellent.

Does it happen to be dull? In this case a slow, efficient rack focus might seem more suitable.

If you ask me, I won’t be in a position to offer you any advice on which one is the right choice. This is because it is so coincidental. In fact, it plays so laboriously into the specific object that you are on at the moment.

Well, all I can offer you is - if you do not know naturally - it’s wise to seek an opinion from the DP. I have never come across a situation where I have not known (naturally) how fast to carry out a rack focus. Watching rehearsals without a pause makes me get a feeling through the dialogue what exactly the scene is about. Or, I ask the DP. If you’re a movie buff, you get a feeling of what seems more applicable.

Too quick or too slow? Don’t fret! The DP will perhaps tell you about it.

Conclusion

No doubt pulling focus is undoubtedly the most important duty of the 1st Assistant Camera. A shot can be appealingly illuminated, flawlessly framed, and feature some Oscar-worthy acting, but if it is not in focus, it’ll probably find its way to the cutting room floor. You don’t want this to happen, do you?

Getting Focus Marks: Which Measuring Tool Will Work in Your Favor?

If a camera assistant wants to keep a shot in focus, getting distance marks plays a very crucial role. That is the reason why people exploit plenty of different tools to accomplish the required task at hand. Ask a pro who’s meticulously involved in measuring the distance with dynamism why they have a soft tape, a hard tape, and a laser measuring device, and you will get your answer. As mentioned above, these tools serve the same purpose, but a pro will use them all in different ways.

So, when are you likely to use the soft tape and not the laser one? And what is the advantage to using these tapes? Let’s find out.

Soft Tape

Twisted in a spool, a soft tape is made of fiberglass. This tape measure is referred to as soft tape because of the reason that it seems adaptable and hangs loose. In fact, this tape seems the actual tool of the old school camera assistant or focus puller. In general, this tool is deemed to be the best for getting accurate measurements.

In order to use the soft tape, there’s a hook of some type on the camera at the film plane that the soft tape is attached to. You walk out with the reel until you measure the desired distance. Because you walk along with the tape measure to pull it tight, it can give you very precise measurements you look forward to.

Make sure you use soft tape when required. This tool must be used in certain situations when there’s very little depth-of-field. Also, it’s also seems to be a perfect choice for those situation in which you need to get numerous marks. However, there are times when the soft tape does not seem right. No matter it can go up to 50 feet, it takes its own time to wind it back into the reel.

Hard Tape

Hard tape is undoubtedly the good old steel tape measure. This is probably the tool that everyone’s aware of how to use. This is because they have those memories lending a helping hand to Dad when it came to measuring stuff as a little child.

Keep in mind that the cheap tapes are not strong so you must avoid buying a flimsy tool. It will not do you any good. Moreover, the locking mechanism breaks down and they won’t even go that far as you expect. A hard tape is an ideal choice when working fast. It’ll allow you to stand by your camera and to pull it out and have it placed near the eye of an actor.

Once in a while actors, the trained ones are kind enough to grab the end of this tool and hold it up to their eyes to provide one much needed assistance. This tape always works to one’s advantage to use in a situation where you need a precise mark in no time. Be careful not to hit anybody with this tool. Don’t you forget you’re holding it against the film plane mark on the camera?

Laser Tape Measure

Wondering why we said hard tape is a perfect option for rapid, precise measurements? Did we talk about the laser tape? Well, it is complex. Laser tapes are those tools which are fast and very precise. But there’s a whole point in question of shooting a laser around the set. This is because it can be diverting attention for the actors. Also, it’s not a cakewalk to shine a laser at their forehead without the risk of shining the laser in their eyes.

Using a laser tape is suitable in those situations where you have a great amount of depth-of-field. Having said that, this tool is very precise if you have a keen interest in measuring accurately on the subject.

If you’re thinking that laser tape measures are effective only for rapid, dirty close marks, think again. If truth be told, these tools really work well in those situations that require a long distance or a remote location.

For example, if you are on the shore of a lake and shooting two characters on a boat which is 100 feet away from the shore. It will be impossible for the soft tape as well as the hard tape to reach there, but using the right laser tape measure will work to your advantage. Moreover, you don’t have to worry about hitting actors at their eyes, instead go for their chest. The few inches at that distance will be within agreeable focus with the depth-of-field.

Final Thoughts

Soft tape is the most precise measurement that can effortlessly be obtained because of the way it’s used. A focus puller or an AC has to pull out and measure. That’s not all! This tool is also able to acquire multiple marks. But don’t forget that using this tool can be clumsy when it comes to measuring anything preceding 15 feet.

Talking about the hard tape, it suddenly seems so clear why this tape is precise. But it remains faster when compared to soft tape. One can use this tape from beside the camera.

Laser tape is the best choice for rapid approximate close distance measurements, but this tool is right for long distance measurements. Ensure that this tape is used considering the preventative measures when shining at a person so as to avoid hitting their eyes.

“There are three tools that measure distance, including soft tape, hard tape, and laser tape. Even though they serve the common purpose i.e., getting distance marks, they do so in ways that are nothing like each other. Some seem more appropriate for certain situations than others. When you’re a good camera assistant or follow focus puller, it’s like being loaded with the right tools and knowing when to use them.”

How to Control Remote Lens Using a Silencer Gimbal?

Ever thought why you need lens control?

For all one knows, the easiest way to wreak havoc on any scene is by losing focus. When you lose focus, it jumps the audience, breaks the trust and makes you look like a layperson. You need to make sure you everything you can to prevent from pulling poor focus. It literally damages a shot. Nobody seems delighted and the film you worked on turns out to be nothing but garbage.

So why not think about doing yourself and your 1st AC a big favor? Make a purchase of remote lens control system that will truly get the desired job accomplished.

Here at 24shots we have the silencer gimbal which we’ll throw light on as we proceed further.

Some imperative features for a remote lens control system you need to know:

Precision - Every time the focus puller puts the control wheel in motion to a witness mark (no matter pulling focus in or throwing focus out), make sure it matches the mark on the lens every time.

Consistency - Well, this can be pretty tough to forecast. This is because  electronics of all types, caliber and quality break down from time to time. And this seems the perfect reason why most 1st AC’s (1st Assistant Camera) express their loyalty to one brand of remote lens control system.

They consistently remain with what has benefited them and their associates in the most reliable manner in the times gone by:

Speed - While some lenses have smooth focus and iris rings, others have sticky lenses, especially the older ones. It’s important for you to know that the motor of your system should have enough torque as well as power to be able to move every lens in the set in real time as though you were turning the lens ring with your hand on the lens itself manually.

Size/Weight - In the gimbal world, every bit of weight on your rig makes a difference, especially on those long one shot shoots that are required by numerous directors.

Range - Is the signal lost between the transmitter (tx) and receiver (rx) of your system? If so, then the system is futile. Avoid counting on what your system’s spec sheet states, as the manufacturer has perhaps listed a best case scheme range which you may never get to experience.

Look for a volunteer who can assist you in range testing your system prior to your shoot in all the diverse plots you may get up close and personal with on your shoot.

Do try testing in a jam-packed downtown area where cell phone towers and radio signals fill the air. How about testing near water where signals unevenly bounce back? Do give a shot testing through different types of walls - cement, sheet rock, brick and so on.

What to Know About Silencer Gimbal?

Have a silencer pro? Want to upgrade to the Pro-Gimbal kit?

If you answer is ‘yes’ to both questions above, then this is right choice for you.

A “gimbal” is an incredible tool but it restricts the efficiency if there’s no method to focus or zoom. It’s time you release the Gimbal benefits with the Silencer Trigger controlled follow focus.

Here’s a list of items included with Gimbal upgrade kit:

Gear Drive
Shoe Mount
Pro 19mm Short Motor Rail
Extra 6” Rail
19 - 15mm rail carrier
19mm tensioner pulley mount
XL belt pack
2’ extension cable

This “Silencer Gimbal Upgrade Kit” is available for $275.00 with 24shots.

Focusing on your own with the Silencer AIR was never so easy. This new lens control system is literally wireless and connects to the 24shots app to boost ground as well as aerial photography. The silencer is the only trigger controlled follow focus that means you can keep both hands on the rig to acquire the best stable shot.